Saturday, March 24, 2018

Flash Fiction Armagh – The First of Many…

When I was young, I thought that all things literature were boring and decidedly stuffy. Many people, having suffered through Shakespeare and Thomas Hardy at school, still think like that about the literary world but last night’s Flash Fiction Armagh turned that idea completely on its head!

Eleven talented writers wowed the socks off the audience in the upstairs room of Mulberry Bistro in Armagh.

Let me begin by describing the gorgeous venue. Mulberry Bistro is in an old but beautifully restored building right across the road from one of Armagh’s cathedrals. Decorated in a simple rustic fashion, touches of glamour such as crystal chandelier light fittings and plush velvet seating in a range of fun colours add the right amount of pop.

Réamonn Ó Ciaráin, author of Cúchulainn, Ulster’s Greatest Hero, and co-host of Flash Fiction Armagh was already there when I arrived to set up for the evening. Mulberry handed over their upstairs room, offering to move chairs and tables into any configuration we wanted – they were happy to let us complete rearrange the room to suit our needs. It didn’t take long – the place already the perfect venue.

The Cathedral, lit up as night fell, looking in the windows at us as people arrived. It was pure Armagh – looking beautiful and majestic. My home.

All the writers arrived on time and to our great delight, the audience filled the room. The table closest to the mic the only one with no takers – people hate sitting at the front!

None of us had expected such a good turnout, but Mulberry Bistro rose to the occasion feeding and watering everyone as needed. Nerves had prevented me from having a big dinner but a tasty caramel square and a coffee set me up. All in and settled, it was time for our first reader.

Local writer, Jay Faulker got us off to a great start with his story Rain, an emotive account of a firefighter’s attempts to save two little boys from drowning. 

Brilliantly told, I knew the story would strike a cord when I’d read it during the selection process and I wasn’t disappointed. I could actually see members of the audience relax into the evening as they listened – none of us had known exactly how this venture would go, but as Jay read I knew we’d done something right.

Christopher Moore from Broughshane enthralled us with the magic of his piece Dark Hedges.

I particularly loved his hints at a magical other world and felt that he’d claimed those hedges back from Game of Thrones and made them ours again. His mastery of language and sense of flow captured our interest and imagination, bringing some solace after the intense drama of the first piece.

Réaltán Ní Leannáin from Belfast via Dublin read Dílis,

...expertly switching from between the Irish and English languages so that everyone could enjoy and appreciate the zesty humour in her story about a little protestant girl so enamoured with the holy communion dresses the little catholic girls are wearing that she begs her mother to let her be a Catholic – just for a day!  Réaltán left us all with smiles on our faces.

Keady man, Damien Mallon read a selection of his poems that were such a hit he sold out of his book, Reading the Trees, at the intermission!

His combination of humour, sensitivity and vivid imagery took us through awkward encounters at parent-teacher meetings, wistful reminiscing at graveyard Sunday and a walk through Carnagh woods such that you felt you were there.

Donegal/Derry writer Pamela Brown’s Mansfield House was so skillfully rendered that it made the audience chuckle in places then fall pin-drop silent with emotion in others.

This story pulled us in, led us around a blind corner then smacked home some tough but unavoidable truths. Engaging and honest, Pamela pulled no punches and we were richer for it.

Before going into the break Réamonn Ó Ciaráin from Armagh read from Laoch na Laochra a book in modern Ulster Irish about Cúchulainn...

 ...and followed that with reading the corresponding passage from the English Language version Cúchulainn, Ulster’s Greatest Hero

In both languages, the power of the writing and the story it carried shone through. We headed into the intermission filled with wonder and awe.

People mingled, bought books, congratulated readers and the general atmosphere was a delightful hub-bub though I wondered how I’d ever get everyone settled back down again for the second half. 

No need to worry – so the 15-minute break drifted into 25 minutes – soon everyone was ready to listen to Trish Bennett from Enniskillen read Power of a Peeler. 

Her entertaining performance provoked belly laughs from her audience as she explained how important a certain kitchen utensil was to her and her extended family. She even produced the subject of the story to gales of laughter. 

Lisburn writer Karen Mooney’s A Fond Farewell moved every person in the room with her emotive piece remembering her father.

The words beautiful and heartfelt dripped upon a captive audience like honey from a spoon, sorrowful yet soothing. When she finished, the momentary silence was as much an accolade at the spontaneous applause that followed.

Reading in Irish, Armagh man Seán Ó Farraigh gave a beautiful rendition of his story Neamhchiontach go dtí go gcruthaítear a mhalairt

I grasped at words and phrases I recognized, desperate to understand this lilting and musical language. This young man’s bilingual skill inspired me to consider attending Irish language classes myself – with the new Irish Language centre on its way here in Armagh, I really have no excuse!

Catherine Carson from Crossgar made everyone’s ears tingle and skin goosebump with the power of Spectrum, a story of a mother with her grown-up autistic son. 

A collective “Awe,” at the end of her account, gave instant, and I’d imagine, gratifying feedback to the writer of a story outstanding in its perception, construction and delivery. This new writer is one to watch. (You heard it first at Flash Fiction Armagh!)

Malachi showing a picture of the suits in Scoring in the Seventies
Though it was a hard act to follow, Malachi Kelly from Armagh brought the house down with his amusing story Scoring in The Seventies, about how a new suit sets hearts and minds alight in 1970’s Armagh. 

Leaving us smiling and uplifted, it was a perfect way to end the evening.

By the time we brought the evening to a close, it was decided that this would not be the last Flash Fiction Armagh. It turned out that Mulberry Bistro loved hosting us as much as we loved being there – an event marriage in the making. The feedback forms begged us to have another evening as soon as possible. When people were asked about the venue, the vote was in – Mulberry Bistro was ideal – classy, intimate and welcoming.

There were about half a dozen people in the audience who were there because I’d asked them to come as my friend/family to support our first event. At the outset, I looked upon their attendance as a favour to me – it may not be their cup of tea. I worried that I was putting them out but valued their support, loved them for it in fact. But by the end of the evening, I realized something – this event, these readers, our selections had reached every member of the audience, more than once and in more than one way. The event had been a success for all of us because good writing is about describing the human condition and connecting us to one another, no matter who we are and what we believe. Flash Fiction Armagh extended beyond my preconceived ideas of what literature should or should not be. Flash Fiction Armagh connected us to one another however fleetingly and I am confident it will do so again. We hope to have the next event in June and will post details on this blog and the Armagh Writers Facebook page as soon as details are confirmed.

Byddi Lee

Tuesday, March 6, 2018

Flash Fiction Armagh Presents

We had a fabulous response to the call for submissions for Flash Fiction Armagh.

The high standard of writing gave us some difficulty making our final selection, but we are delighted to present the following writers at our inaugural Flash Fiction Armagh on Thursday 22nd March 2018 at 7pm.

In no particular order, congratulations to:

Jay Faulker, Rain
Catherine Carson, Spectrum
Réaltán Ní Leannáin, Dílis
Damien Mallon, Reading The Trees
Pamela Brown, Mansfield House
Réamonn Ó Ciaráin, The Boy Corps of Eamhain Mhacha
Trish Bennett, Power of a Peeler
Karen Mooney, A Fond Farewell
Seán Ó Farraigh, Neamhchiontach go dtí go gcruthaítear a mhalairt
Christopher Moore, The Dark Hedges
Malachi Kelly, Scoring in the Seventies

Sharon Dempsey*, The Watcher 

So please come along and be a part of the first ever Flash Fiction Armagh.

A big thank you to Mulberry Bistro for generously hosting the event in their gorgeous upstairs room allowing us to keep the event free. No better location, with our beautiful Cathedral looking on through their windows! 

Byddi Lee


* Sharon Dempsey is unable to make it to the event in March, but we hope to see her at a subsequent event.

Monday, February 26, 2018

The Charlemont Arms Hotel, Armagh - there's always a warm welcome and a log on the fire.

My Granny loved a wee meal in the Charlemont Hotel. We celebrated her 80th birthday there and a few years later celebrated her life with a meal there after her funeral. It was also where we celebrated my nephews' christening. I have fond memories of dancing with My Dad at credit Union AGMs. He was great at the jiving and taught My Sister and me how to dance in our kitchen. Nearly 10 years after his passing, I was back dancing in that same room, this time to the Celtic Rock Legends, Horslips at the John O Connor Writing Festival.

The Charlemont Hotel has been the venue for many of the beats of my life, and it's a great wee spot for a cosy meal and a drink with friends between those times.

Last August, I was sitting in the queue one day in Argos in Armagh when a woman sat down beside me.
"I know you don't I?" we said to each other at the same time. It took us a few moments to place each other's face.

"I was talking to you the other night," I said. "I was in the Charlemont. You work there don't you?"

I'd had my hair cut that morning, and she said that was why it had taken her a moment to recognise me again. Turns out, Helen doesn't just work there, she and her sister, Judith, own the hotel. It didn't surprise me one bit to learn that The Charlemont was a family run business. It had always had a warmth to it, a sense of comfort and home that comes from family. Helen's friendliness was typical of what I've come to associate with the Charlemont Hotel. She was happy to sit down with me recently and tell me about her family's history at the hotel.

Helen's grandparents, Robert and Elizabeth Forster, bought the hotel in 1934. Her mum came to work in the office at the age of 14. As we chatted, I mentioned how romantic it must have been for this young woman going to work and meeting the hotel owner's son, catching his eye and falling in love. Helen gave me a look that told me I might be over romanticising things (as I am prone to doing) and said with a laugh, " Let's just say, love blossomed."

When I pressed it by saying that they probably went to the City Hall dances together Helen nodded and told me that the Charlemont had done the catering for those dances. My own parents had gone to those dances too.

Helen's parents took over running the hotel. In those days a lot of travelling salesmen and company reps stayed in the hotel. Her mother tells of how they used to leave their shoes out by their doors and the staff would take them away, polish them and return them before morning. There is still a room at the hotel called the "boot hall" where the shoes where polished. Often the reps would get up to high jinx, doing things like swapping around the shoes. I can imagine the temptation that would be after a few pints of Guinness in the bar!

That was all before Helen's time but she remembered the tea - loose tea, no tea bags - for the hotel arriving in big tea chests. I knew the type of thing she meant. We'd had one that we had stored old toys in. She also remembers coin operated heaters in the rooms.

There had been 18 rooms but some shared bathrooms. After renovations to give each room an ensuite there were 12 rooms. In 2000, the Charlemont bought Turners, the builders merchants next door and extended to 30 rooms, all with ensuite.

The hotel weathered the good times and the bad and throughout the years both sides of the community were welcomed and supported the hotel. Helen says she really appreciates that. I liked to hear it too. It gave me hope for a future where we can all live and work together here.

I asked Helen had she ever considered not going into the family business. She shrugged and said she'd spent a year in Boston, but even that was hotel related. She'd had worked in the 1000 room Boston Park Plaza which was, as Helen put it, "a bit different."

And indeed it is because the Charlemont Hotel has a good, comfortable vibe. It's an institution of old Armagh and has an atmosphere of home. People make friends here. There's always a log on the fire and the kettles always on the boil. Even when working during quiet times, when the place is empty, Helen says she never feels lonely or afraid in the hotel.

Helen did her degree in hotel tourism but says she learned more in the day-to-day running of the Charlemont when she and her sister took over the running of the hotel. She has certainly endeavoured to provide a cosy home-from-home experience for the people who frequent this much-loved establishment at the heart of the city.

The Charlemont Hotel is the pivotal venue of the John O Connor Writing School and Literary Festival held every year in November.  Robert McCrum, Associate Editor, The Observer and author summed it up nicely when he urged the festival organizers,

"Don't get bigger, get better! The Charlemont is key to your success - such a great vibe..."

Come see for yourselves. Grab a good book and have a drink by the fire - I can suggest a few good ones - both in books and drinks!

Byddi Lee

Friday, February 16, 2018

Full House at the Open Mic in the Abby Lane Theatre

The Open Mic Night at the Abbey Lane Theatre is a gleaming treasure hidden in a backstreet of Armagh City. Tucked behind a wall in a carpark where Linehall Street meets Abbey Lane, the door to the theatre bears little adornment. Once through that door, the stage is to the left and a large room stretches back to stairs beside an area with a sink and a structure that reminded me of our school tuckshop. Bare concrete walls play host to photos of happy groups of people in various costumes. I pick out some familiar faces.

Image courtesy of The Armagh Theatre group website.

Tonight is the last Friday of January and the first Open Mic Night of 2018. The stage has been set up with clusters of chairs and some little tables upon which sit little bowls of crisps, as if to say, “make yourself at home.” The rest of the room centres on a lonely blue chair and the Mic midway down the hall. I like the inclusive and intimate set up.

We pay our cover charge. Malachi Kelly welcomes us in. He has an easy way of managing to chat with everyone, giving each a fair amount of his banter without looking hassled or making you feel you’re in the way.

The burble of voices in the room rises as the seats fill in. Friends acknowledge each other, women embrace, men shake hands and clap backs. The audience is diverse – male, female, young, middle-aged, and older. There are people here from Lurgan, Belfast, and possibly further afield judging by the accents I hear.

The room is full, every seat taken, and a couple of young girls sit on the stairs having given up their seats to a more mature couple of late-comers.

Malachi takes the Mic, taps it a few times, then sets it aside. He starts, “In the name…” Those magic words, many of the audience know from school days as the way to quiet a crowd. Apart from the swell of gentle laughter, it works. Everyone settles in to listen and from what I can see are captured in the magic that the performers spin over the next couple of hours.

First up is Poet Mel Mc Mahon, originally from Lurgan reading poetry from his book  Out of Breath. I can tell from the pin-drop silence that he has connected with the audience and he carries us along with his mastery of words.

Next up is Thomas Healy on the harp and we let our minds melt with the resonance of the strings. Later in the evening, his soulful yet gritty poetry leaves a lasting impression.

Then Dymphna Ferran gets to her feet, looking like butter wouldn’t melt but brings the house down with her stand-up comedy act.  

When John Goodman starts to sing, a respectful silence settles over the listeners. It seems his reputation precedes him, and rightly so. Sung in an old tradition of reciting story, his voice is clear and melodic and the narrative easy to follow.

Colin Dardis, all the way from Belfast, reads poems so good that I get prickles on my scalp as his words wriggle under my skin.

We roll into the intermission with a beautiful song from Daniel Corrigan.

Even the break is a bit of craic as people move about, chatting with friends, congratulating performers. It’s nice to be able to approach people unselfconsciously and strike up a conversation. The atmosphere is simply that convivial.

Malachi launches the second half with what can only be described as a controlled riot. It’s time for the Limerick competition, too many contestants to name but all raising a laugh. There’s prizes – a meal for two, a bottle of wine, chocolates. I’m impressed at the list. To determine who wins, Malachi produces a Clapometer on his iPad. The audience decides it has one mission, and one mission only – to get that needle to the max, regardless of who said which limerick. It’s daft craic in its best Armagh fashion.

Finally, somehow, Malachi declares a winner and presents the meal for two…a couple of packets of Tayto crisps, delivered by air mail as he flings them over the heads of the audience. Local produce all the way!

Peter Carragher from Cullyhanna via Gilford enthrals the house with his aural storytelling, word perfect, without prompting from page or phone, an impressive feat which I think the younger generations would find hard to match.

Geraldine Daris O Kane reads a powerful poem that explores what it means to be human in our connections and our projections of who we think we are.

Young Louis O Donnell entertains us on his banjo. It is great to see the youth joining in and sharing their talents too.

Kevin Trainer has the whole place singing with him as he sings a song about Armagh characters from days gone by.

A somewhat experimental piece, the Mc Cools pull off a delightful narrated tin whistle instrumental. Musical talent is obviously a thing here in Armagh as singers Theresa, Michael Callaghan and Pat Prunty illustrate.

Thomas Healy played the harp, recieted poetry and played guitar and sang.
Tomas Healy

As the night comes to a close, again, we mingle. The Abbey Lane Theatre is a place with heart, a place to reconnect with old acquaintances and make new ones, a place to share stories and enjoy talent. It’s a place to enjoy a lovely night out on our doorstep, and I for one, am glad I discovered this place.

Open Mic at the Abbey Lane Theatre takes place on the last Friday of every month at 8pm and costs £5.

For more information check out their website –

Next Friday, the talented poet, David Braziel leads the charge. It promises to be a great nights craic so get down there early and grab the best seats!

 Byddi Lee